Sound design for ‘The Hunger’

Immediately following the DANCE MARATHON performances I dove straight into completing the sound design work for a performance installation by Margaret Krawecka / Uncanny House Collective – The Hunger.

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DANCE MARATHON returns to Toronto World Stage Festival

bluemouth inc's Dance Marathon at Toronto World Stage Festival (May 18, 2012)

Photo by Tina Rasmussen

My (always) favourite audience participation moment of the show – YMCA. Photo by Tina Rasmussen

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Beginning the design process for a new Bluemouth experience.

Book cover mockup I designed using a few found objects and a scanner. It's a starting point, largely out of the need to distill and concretize a bunch of title ideas and concepts being bandied about by the rest of the company for a last-ditch grant application. This is only a first sketch inevitably leading to more sketches and momentary appropriations. Keywords: 'disposable', 'prototype'

There is no funding for the next Bluemouth project. Yet how else does one begin to make something for its audience to experience? To find funding and support you need a brilliant vision, a seductive pitch, a way into people’s imaginations, something they can hold onto, become inspired with. An act of faith or an act of foolishness? There’s no money and hey I really need a paying job, but…so…hey…

How do you do it?
How do YOU do it?

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Dance Marathon London

Thank you London!

Dance Marathon at the Barbican Centre was a fantastic experience.

BBC London Evening News coverage of bluemouth’s Dance Marathon London
(I speak ever so briefly on the increasing popularity of immersive and participatory theatre work)

 

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Swimmer (68)

Ker Wells in the evocative stage work 'Swimmer (68)'

Swimmer (68) is a one-man theatre performance which recently premiered here in Toronto earlier this month at the Studio Theatre. Created by writer/performer Ker Wells and director Bruce Barton — with video design by Cameron Davis and dramaturgy by Pil Hansen – this project was an opportunity to try and push at the use of digital media in performance and begin to formulate a deeper kind of conversation between an actor and the digital media – one in which a vocabulary of inter-medial gesture could be developed and tested. Imitative/mimetic exchange, video as light source and or as a character, experimental application of in-ear monitors and back-of-house video monitoring for actors.

The ‘holy trinity’ of theatre may always be the writer-actor-director collaboration. yet as time passes and ‘digital natives’ inherit theatrical traditions it may begin to seem ever more natural for digital media to exist in the theatre.

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Dance Marathon Edinburgh

I’m about to head into my second week of Dance Marathon performances at the Edinburgh Fringe Festival, presented in association with Traverse Theatre and Toronto’s Harbourfront Centre. We (bluemouth) are getting some great responses and reviews while working with some really amazing and talented people. To follow all developments – including reviews, audience responses and photos, head on over to bluemouth’s Twitter and Facebook pages.

 

More photos to come…

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Sleep. Dream. Study. Listen.

Above is a (slightly remixed) excerpt from the Rhubarb 2011 Festival performance of ‘Salle du Rêve / Centre for Sleep and Dream Studies’ with Angela Rawlings and Ciara Adams (voices) and myself (laptop). The first 3 minutes or so consists of an improv the three of us did at the end of the evening. The ‘sleep dream questionnaire’ heard throughout this excerpt was administered to individual audience members, one at a time, in an intimate setting next door to the bar/dance floor. Co-presented by Bluemouth Inc Presents last February (2011) at Buddies in Bad Times Theatre, Toronto.
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